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Iron & Wine > Albums & Lyrics

Iron & Wine Photo


Our Endless Numbered Days Album
  1. On Your Wings
  2. Naked As We Came
  3. Cinder And Smoke
  4. Sunset Soon Forgotten
  5. Teeth In The Grass
  6. Love And Some Verses
  7. Radio War
  8. Each Coming Night
  9. Free Until They Cut Me Down
  10. Fever Dream
  11. Sodom, South Georgia
  12. Passing Afternoon
  13. Cinder And Smoke (Demo)
  14. Swans And The Swimming
  15. Free Until They Cut Me Down (Demo)
  16. Hickory
The Creek Drank The Cradle Album
  1. Bird Stealing Bread
  2. Faded From The Winter
  3. Promising Light
  4. The Rooster Moans
  5. Upward Over The Mountain
  6. Southern Anthem
  7. An Angry Blade
  8. Weary Memory
  9. Promise What You Will
  10. Muddy Hymnal
The Sea And The Rhythm Album
  1. The Night Descending
  2. Jesus The Mexican Boy
  3. Someday The Waves
Sam Beam lives in Miami, FL and makes music under the name Iron & Wine. He is a father of two (both daughters) and teaches cinematography at a local college. September 2002 saw the release of his debut album, The Creek Drank the Cradle. That record was/is hushed, literate, intimate, melodic: a quiet treasure which, with its unaffected candor and depth, found fans all over. Both in the bio for the first record and in (perhaps an unwitting, self-fulfilling prophecy set in motion by that bio) subsequent press surrounding the record, a fair amount of focus has been narrowed on these two facts: Sam Beam lives in Miami and most of his music is home-recorded. This lends some interesting context, but really, these things are solely that: context. The simple explanation is that Sam likes the warm weather and home is where the four-track is (it also happens to be where his family is).

In September of 2003, Sub Pop released a 5-song EP culled from the recordings that made up The Creek Drank the Cradle as The Sea and The Rhythm. And, some discerned a new undercurrent of optimism within these. Between now and the first record, Sam spent a far amount of time on the road, both solo and with a band.



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